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The Jazz Improvisation Series (John Mehegan)
1. Tonal and Rhythmic Principles
2. Jazz and Rhythm and the Improvised Line
3. Swing and Early Progressive Piano Styles
4. Contemporary Piano Styles
Section I
OSCAR PETERSON
1. General
2. The (A) Form - "Stella By Starlight"
3. The (B) Form - "I Don't Stand A Ghost Of A Chance With You"
4. The Combined (A)-(B) Forms - "I Wish I Were In Love Again," in G
5. Left-Hand Major Voicing - "I'll Take Romance," in F
6. Left-Hand Dominant Voicings - "I'm In the Mood For Love," in Db
7. Left-Hand Minor Voicings - "I Get A Kick Out Of You," in Eb
8. Left-Hand Half-diminished Voicings - "You'd Be So Nice To Come Home To," in C
9. Left-Hand Diminished Voicings - Inversions - "From This Moment On," in Ab
10. Modulation - (A) and (B) Forms
11. Alternate (A) and (B) Forms - "Embraceable You," in G
12. The Altered Dominant (A) and (B) Forms - The Dominant (C) Form - "By Myself," in F
13. The Suspended Minor, Half-diminished and Diminished (A) and (B) Forms - "Better Luck Next Time," in F
14. Melodic Adjustment - (A) and (B) Forms - "Poor Butterfly," in Db
15. Right-Hand Modes with (A) and (B) Forms - "Ten Cents A Dance," in Eb
16. (A) and (B) Forms Summation - "Right As The Rain," in C
Section II
17. Solo Piano (General) - "But Not For Me," in Eb
18. Root-Voicing Patterns, (A) and (B) Forms - "Be My Love," in G
19. Root-Voicing Patterns, (A) and (B) Forms - Ballad - "My Ship," in F
20. Root-Voicing Patterns, (A) and (B) Forms - Bass Fifths - "Where Are You," in G
21. Root-Voicing Patterns, (A) and (B) Forms - Minor tonality - "You're My Thrill," in D minor
22. Root-Voicing Patterns, (A) and (B) Forms - Superimposition - "This Is New," in Bb
23. Root-Voicing Patterns, (A) and (B) Forms - 8/8 time - "I Fall In Love Too Easily," in Eb
24. Root-Voicing Patterns, (A) and (B) Forms - 12/8 time - "Twelve-Bar Blues," in Bb
25. Root-Voicing Patterns, (A) and (B) Forms - Bounce Tempo Syncopation - "Rose Room,", in Ab
26. Root-Voicing Patterns, (A) and (B) Forms - Bounce Tempo Syncopation Swing Bass - "Ain't Misbehavin'," in Eb
27. Root-Voicing Patterns, (A) and (B) Forms - Up-tempo Syncopation - "The Lady Is A Tramp," in C
28. Root-Voicing Patterns, (A) and (B) Forms - Up-tempo Syncopation (without Roots) - "Limehouse Blues," in Ab
29. Root-Voicing Patterns, (A) and (B) Forms - Improvised - "Peace" in Bb
30. Scale-Tone Conversion to (A) and (B) Forjms - "I Concentrate On You," in Eb
31. "Walking Bass Lines - "You Stepped Out Of A Dream," in C
32. "Walking Bass Lines - "Blue Room," in F
33. "Walking Bass Lines - "The Way You Look Tonight," in Eb
34. "Walking Bass Lines - "Fine And Dandy," in F
35. Left-Hand Arpeggiation - The Scale-Tone Tenth Chords - Eighth-note - "We'll Be Together Again," in C
36. Left-Hand Arpeggiation (R-5-9-3-7 and reverse) - Eighth-note - "Jet," in Eb
37. Left-Hand Arpeggiation - Mixed elements - Eighth-note triplet - "Sometimes I'm Happy," in F
38. Left-Hand Arpeggiation - Mixed elements - Sixteenth-note - "It Never Entered My Mind," in F
39. Left-Hand Arpeggiation - (A) and (B) Forms and Modes - "Ruby," in C
Section III
40. 'Comping (Accompanying) - "I Love You," in F
41. Turnarounds - "Down By The River" in Ab
42. Building a Bass Line - "Small Hotel," in Ab
43. Modified (A) and (B) Forms - Modern "Funky" Piano
44. Harmonic Distortion
45. The Perfect and Augmented Fourth Chord Structures
46. (A) and (B) Forms with Shearing Blocks
47. The Modal Fourths - Minor Blues
48. The Modal Fragments
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